Everything Always Going Away

Andrew Motion

1. the lobby

In the silly lobby,

a nothing-room

between the front door

boys were not allowed to use

and one half-glass

that opened on the hall

where I stood waiting in my squeaking shoes

to watch you leave,

you,

hesitating like a fly

on pages of an open book

before it slams

shut, turned with something painful in your eye

to brush away

and brush away again,

then spoke a word

I never heard.

The bell rang overhead,

its flurried notes collapsing in each other’s arms

to make a single sound.

I had to go.

2. the writing case

Soft pale brown leather

with a suggestion of crocodile

and a zipper round three sides

to keep secrets

or lay everything open.

Inside, strapped down

in places reserved for them,

one full pad of Basildon Bond,

one black fountain pen,

and a dozen pale blue envelopes

addressed to you

in your own girlish script,

with a message reminding me

to tell you how I felt,

which I would never do.

3. two windows

Chin-high with a windowsill

handy to keep me quiet

I stared myself blind:

the foreground cedar

with its broken arm

dangling in purplish light,

lake water beyond

flickering not quite identical

agile slither and slop,

then fields farther still

and hedges careering a hundred miles

back to familiar ground

too painful to think of now,

with you in another window there

too much like thin air.

4. the boathouse

Sky exhausted by flying

rested its weight once upon

the roof of the boathouse:

and fair-weather clapboard walls

instantly lost faith

in right-angle connections,

while wind dogs rampaged in

to play mud games

and snap the spine of the punt.

But the broad squared-off prow

glued to earth now,

a net of broken shadows

cast by ivy and vines,

conspired with bulrushes

to make a secret crease

in the cloth of space and time

where I could lose myself.

I saw on the epic lake

a single meringue swan

with wings half-lifted up

as though about to fly,

the black canvas feet

drearily thrusting clear

of muck stirred by its passage.

5. lights out

Lights out never came

soon enough,

but when darkness finally

fell, that was its own river

in spate and hard to cross.

As footsteps softened away

down the long stair reporting

outrageous shifts of weight,

boys in beds on every side

began to cry,

as thoughts of home

which we had saved all day

were now let loose

in sobs and choking gulps,

in stifled wails,

until, when sleep allowed

a mockery of silence to descend,

moorhens on the lake outside

burst out instead

in sudden fits of clattering

and metal honks

as madness took hold

and they tried to walk on water,

then crash-landed.

6. in the classroom

White hours in class,

the blackboard

dead center

and sunshine in fits

keeping track

of the cost in dust

as a stick of chalk

maintained its murmur

or suddenly squealed

the meaning of meanings

revealed to me.

I was learning fast

how timorousness

(from the Latin timor, meaning dread)

paved the way for stupidity.

7. physical jerks

Every first thing

in white singlets and shorts

we made our mark on the gravel forecourt

with starbursts and running on the spot

while Mercury in our midst,

the god of speed and boundaries,

stalled on his stone plinth

and the dead I had yet to meet

churned in busy air

waiting like us for the nod

of his staff with its writhing snakes

to escape to the underworld.

8. the thaw

Everything always going away

including pins and needles of ice

doubled on pins and needles

the cedar wore instead of leaves,

which warmth would run together

as soon as the sun returned.

9. in the study

The unlit corridor,

a black canal of air,

staggered midway

then braced straight,

shoulder-high oak paneling

and liverish tile floor

coloring in the glow

from the hallway ahead,

which led

to the fuggy study where boys

guilty of breaking rules

went to be punished.

Nobody ever spoke.

All of us felt already

pipe-stained fingers grip

the hot napes of our necks

in order to bend us over;

that, and the frisky air

which breathed in fits and starts

coldly over our bare

buttocks and thighs

before the caning began.

Then with purring like a wave

withdrawing over sand,

the door before us

opened, one in tears came out,

and in the next one went.

10. underground huts

We trekked to the Wilderness,

dug holes in the rooty ground,

laid planks on top,

and stamped the earth back

leaving a foxhole entrance.

Now we were nowhere,

willing to make do

with whatever news

a trickle of mud might bring

or snug compressions of air.

Who goes there?

But no one ever, no one.

I sucked on my cigarette

of pine needles and Bronco

and teetered once again

at the edge of the known world

where I heard the roaring waters

and the fall began.

11. the boundary

By the iron fence

marking the boundary of the old estate

I parted a curtain

of tall parsley and grass

then lay on my belly to look

down one of the many hundred

avenues of mud

running through drills of wheat

and saw below in a fold

of land like the crook of an arm

the utterly silent farm,

the barn with its red-tiled roof,

the wind-vexed yard,

and the farmer in wellington boots

with a collie dog at his heels

spiraling round on itself

while waiting to hear the word

about whatever came next.

12. the front gate

In sheer desperation

I set my alarm

for the smallest of small hours

and let myself out

by a downstairs window

to walk around in the dark.

The ruined cedar tree

paralyzed by starlight;

the sullen mercury lake;

goalposts dressed in mist

eroding their alphabet;

and by the front gate

with its slippery cattle grid,

the main road to and fro,

and cars with somewhere to go

bending their angry lights

on me in my dressing gown

with my hair on end.

Andrew Motion Andrew Motion was the U.K. poet laureate from 1999 to 2009 and since 2015 has been Homewood Professor of the Arts at Johns Hopkins University. He is a British American citizen and lives in Baltimore. He is the author of many collections of poems, including Waders.
Originally published:
December 10, 2024

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